
Canon 5D Mark II, 85mm F/1.2, f/2.2, 1/4th, iso 200
At the Gladding-McBeane pottery factory shoot I featured last month, several people were using medium and large format cameras, featuring (egads!) film!
I chatted with a very nice view camera photographer that setting up for a shot. These cameras are pretty fascinating. His camera (that big wooden thing with the fabric bellows attached), an Ebony, is sort of the Mercedes Benz of view cameras. Made by a small company in Japan. No mass production here though. Handmade out of the finest materials. Most of the metal is titanium. It was a joy to see such craftsmanship.
At one end, you pop on your lens of choice. His newest one was 20 years old. Look at the window reflections in the front element! A work of art. At the other end is the "ground glass" where you see what the lens is seeing. The "scene" the lens is seeing is presented on this lens upside down and backward.
[He said that was one of his difficulties using a digital camera, the image is presented in a strange way, just the way you see it. I think high end digital cameras should have a switch to turn the LCD image upside down and backwards to help these guys out.]
In the image above, I was about to take a shot of the camera, when he began positioning the camera. I liked the resulting image, it is sort of ironic, that the hands are moving so quickly, because nothing is quick with these beastly devices!
Much of the focusing/moving is done looking a the ground grass, with a shroud over your head. There are numerous adjustments on the camera and tripod, and you have to know them all by touch. Once he got it all set, I asked to take a look "under the hood." It was like sticking my head into a jar of vaseline. I could not make out anything of the scene.
He then loads in his film, yes, 8 inches by 10 inches (what would that be in megapixels, like 800 or so?) and exposes the film with the shutter release. On a good day, he is able to manage about 8 images. I can accomplish this in 1.5 seconds, holding the shutter down, but evidently his method is much more satisfying.
He loves this style of shooting, and the images he gets. It's really a different world. Very interesting to watch and speak with him. He remarked "we are a dying breed." Maybe so, but I'm glad he is able to enjoy it.
My topaz processing was pretty straightforward - just hit it with Spicify, then some saturation. On the continue link, you can see the original, and we have a bonus twofer image today as well!
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